“…considerable credit should go to Doug Scholz-Carlson, whose choreography of the big fight scene looked surprisingly realistic with just a touch of the Sharks and the Jets from “West Side Story.'” -Michael Anthony, Minneapolis StarTribune
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Fight Choreographer | Romeo and Juliet | Minnesota Opera
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To tell a story in the theater, an actor allows the audience to witness an event that does not take place. If successful, what the audience believes they have seen is not what actually happened. …
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Fights: Silent Night (World Premier) Minnesota Opera, Opera Philadelphia, Fort Worth Opera, Lyric Opera of Kansas City, Michigan Opera Theatre
“‘Silent Night,’ at the Kauffman; the best of the combined arts” “…the battle scenes were masterfully choreographed (Doug Scholz-Carlson).” –Examiner.com on the Kansas City Lyric Opera Production
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Fight Choreographer: Henry IV – Great River Shakespeare Festival
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Fights: Romeo and Juliet – Palm Beach Opera
Start at 1:30 to see fight video “[The] conception of the fight scene in act three was excitingly gritty,…” –Palm Beach Daily News “…the knife fights carry an edge of genuine menace and violence.” –South …
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Fights: Dangerous Liasons – Torch Theater
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Fights: Wuthering Heights – Minnesota Opera
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More Fight Choreography
Minnesota Opera Eric Simonson Wuthering Heights Park Square Theater Joel Sass Oliver Twist Pittsburgh Opera Eric Simonson The Grapes of Wrath York New City Opera Thor Steingraber The Capulets and the …
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Choreography: The Odyssey – Park Square Theater
“The scene with the Cyclops—aided by an inspired representation of the creature as a puppet that’s all claws and eye—moves with energy…” -City Pages
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Why Art Matters
